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31/10/2022
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Fonts report: 12 + 1 fall new releases to know

31/10/2022 Scanner

Fonts report: 12 + 1 fall new releases to know

26/10/2022
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D&AD New Blood Awards 2023: typography to the rescue & more real briefs for real aspiring creatives 

26/10/2022 Scanner

D&AD New Blood Awards 2023: typography to the rescue & more real briefs for real aspiring creatives 

25/10/2022
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The superpower of Comic Sans is revealed in Dyslexia Scotland’s campaign for design inclusivity

25/10/2022 Scanner

The superpower of Comic Sans is revealed in Dyslexia Scotland’s campaign for design inclusivity

24/10/2022
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ATypI Tech Talks 2022: 29 sessions in three days for all things innovation in type

24/10/2022 Scanner

ATypI Tech Talks 2022: 29 sessions in three days for all things innovation in type

11/10/2022
Inspiration

In search of politics in design: Graphicus explores a long-forgotten creative duty

11/10/2022 Inspiration

In search of politics in design: Graphicus explores a long-forgotten creative duty

07/10/2022
Origins

Can a font, in itself, truly be racist? CNN & more report on “chop suey” fonts

07/10/2022 Origins

Can a font, in itself, truly be racist? CNN & more report on “chop suey” fonts

06/10/2022
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Parachute X Baba au Rum: typography is the go-to spirit in the Bauhaus-infused awarded catalog for one of our World’s 50 Best Bars 2022

06/10/2022 Scanner

Parachute X Baba au Rum: typography is the go-to spirit in the Bauhaus-infused awarded catalog for one of our World’s 50 Best Bars 2022

05/10/2022
Origins

How calligraphy shaped Steve Jobs and Apple’s typographic legacy 

05/10/2022 Origins

How calligraphy shaped Steve Jobs and Apple’s typographic legacy 

05/10/2022
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Gretel NYC X RISD: two custom typefaces & more ingredients of a massive new identity framework that embraces Rhode Island School of Design's diverse creative agenda

05/10/2022 Scanner

Gretel NYC X RISD: two custom typefaces & more ingredients of a massive new identity framework that embraces Rhode Island School of Design's diverse creative agenda