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06/11/2024
Origins

Litho Antique, Rockwell Antique, Stymie Bold: Can you tell the difference?

06/11/2024 Origins

Litho Antique, Rockwell Antique, Stymie Bold: Can you tell the difference?

12/06/2024
Origins

Cooper: Origins, Legacy and Iconic Moments

12/06/2024 Origins

Cooper: Origins, Legacy and Iconic Moments

13/03/2023
Origins

From Jean-Luc Godard's Le Mépris to Todd Field's Tár, type is telling its own story

13/03/2023 Origins

From Jean-Luc Godard's Le Mépris to Todd Field's Tár, type is telling its own story

19/12/2022
Origins

turbo type X Klingspor Museum: Laura Brunner and Leonie Martin about the newly launched Klingspor Type Archive

19/12/2022 Origins

turbo type X Klingspor Museum: Laura Brunner and Leonie Martin about the newly launched Klingspor Type Archive

08/11/2022
Origins

Master at work: The Art of Hermann Zapf is a vintage must-watch short film of typographic brilliance

08/11/2022 Origins

Master at work: The Art of Hermann Zapf is a vintage must-watch short film of typographic brilliance

07/10/2022
Origins

Can a font, in itself, truly be racist? CNN & more report on “chop suey” fonts

07/10/2022 Origins

Can a font, in itself, truly be racist? CNN & more report on “chop suey” fonts

05/10/2022
Origins

How calligraphy shaped Steve Jobs and Apple’s typographic legacy 

05/10/2022 Origins

How calligraphy shaped Steve Jobs and Apple’s typographic legacy 

22/09/2022
Origins

A book, a day: Archigraphiæ, Rationalist Lettering and Architecture in Fascist Rome by ECAL

22/09/2022 Origins

A book, a day: Archigraphiæ, Rationalist Lettering and Architecture in Fascist Rome by ECAL

13/09/2022
Origins

Auteur, typophile, trailblazer: how Jean-Luc Godard used typography to revolutionize an era

13/09/2022 Origins

Auteur, typophile, trailblazer: how Jean-Luc Godard used typography to revolutionize an era

29/08/2022
Origins

Letterform Archive presents Strikethrough: a brand new exhibition on typography against oppression

29/08/2022 Origins

Letterform Archive presents Strikethrough: a brand new exhibition on typography against oppression