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13/09/2022
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Ara Oms: an anti-war geometric script typeface to support Ukrainian refugees

13/09/2022 Scanner

Ara Oms: an anti-war geometric script typeface to support Ukrainian refugees

12/09/2022
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London Design Festival X Pentagram: the (many) visual identities, a seriously limited 20th-anniversary book & those modular typographic tiles

12/09/2022 Scanner

London Design Festival X Pentagram: the (many) visual identities, a seriously limited 20th-anniversary book & those modular typographic tiles

09/09/2022
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A book, a day: Spray Nation by Martha Cooper

09/09/2022 Scanner

A book, a day: Spray Nation by Martha Cooper

08/09/2022
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Creative Arts Emmys 2022: Severance wins this year’s Main Title Design trophy

08/09/2022 Scanner

Creative Arts Emmys 2022: Severance wins this year’s Main Title Design trophy

07/09/2022
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C-IDEA Design Award 2022: call for entries

07/09/2022 Scanner

C-IDEA Design Award 2022: call for entries

07/09/2022
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TDC presents Ezhishin: a first-of-its-kind virtual conference on Native North American Typography

07/09/2022 Scanner

TDC presents Ezhishin: a first-of-its-kind virtual conference on Native North American Typography

05/09/2022
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Parker X Prismatic: a kaleidoscopic yet simple typographic branding for the digital era

05/09/2022 Scanner

Parker X Prismatic: a kaleidoscopic yet simple typographic branding for the digital era

02/09/2022
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Morag Myerscough X Clean Power: a typographic installation for a low carbon future

02/09/2022 Scanner

Morag Myerscough X Clean Power: a typographic installation for a low carbon future

01/09/2022
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Peace is not unity in similarity but unity in diversity: Mikhail Gorbachev, in memoriam

01/09/2022 Scanner

Peace is not unity in similarity but unity in diversity: Mikhail Gorbachev, in memoriam