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22/11/2022
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To use or not to use? Times New Roman, a debate

22/11/2022 Scanner

To use or not to use? Times New Roman, a debate

22/11/2022
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Footnotes 4: the annual type design periodical by La Police returns 

22/11/2022 Scanner

Footnotes 4: the annual type design periodical by La Police returns 

21/11/2022
Origins

In Memoriam: George Lois (1931-2022)

21/11/2022 Origins

In Memoriam: George Lois (1931-2022)

18/11/2022
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Fridays for Future: Transatlantika's visual identity proposal for Greta Thunberg's global climate strike movement

18/11/2022 Scanner

Fridays for Future: Transatlantika's visual identity proposal for Greta Thunberg's global climate strike movement

17/11/2022
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Dezeen Awards 2022: Typotheque North American Syllabics wins big

17/11/2022 Scanner

Dezeen Awards 2022: Typotheque North American Syllabics wins big

17/11/2022
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JUNO X Arctic Paper: Munken Creator is generative typography's playground to explore

17/11/2022 Scanner

JUNO X Arctic Paper: Munken Creator is generative typography's playground to explore

16/11/2022
Inspiration

Swiss design, activism, capitalism & more: 12 must-own books for graphic designers now

16/11/2022 Inspiration

Swiss design, activism, capitalism & more: 12 must-own books for graphic designers now

15/11/2022
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18th Best Art Vinyl Award: vote your favorite record cover of the year

15/11/2022 Scanner

18th Best Art Vinyl Award: vote your favorite record cover of the year

15/11/2022
Inspiration

Pimp My Type: Oliver Schöndorfer on his mission to make the world beautiful via great typography

15/11/2022 Inspiration

Pimp My Type: Oliver Schöndorfer on his mission to make the world beautiful via great typography

14/11/2022
Origins

Sublime 80s and Étienne Robial! Musée des Arts décoratifs honors France’s eclectic graphic design heritage with two exhibitions

14/11/2022 Origins

Sublime 80s and Étienne Robial! Musée des Arts décoratifs honors France’s eclectic graphic design heritage with two exhibitions